Categories
Books

World War Z

World War Z: An Oral HIstory of the Zombie War by Max Brooks (2006). Three Rivers Press, 352 pages.

I just love zombies. As a fictional type, they’re hard to beat. So much can be done with them. You can have your outright horror, like Night of the Living Dead. You can up it a notch, add gore and social commentary: Dawn of the Dead. You can use them in a comedy, like Return of the Living Dead. And you can even use them as the focal point of a surprisingly good novel, like this one.

World War Z is a pastiche, a novel written in the form of another type of book: the oral history. This type of book is best known in the works of Studs Terkel. Terkel’s most famous book (and my introduction to his works) is The Good War: An Oral HIstory of World War II. Quite obviously, the novel we’re talking about here is a direct takeoff of that book.

When I first heard of this book, I figured it would be a one-note joke, not really worth reading. But several people I know read it and really liked it. And then I heard from a Studs Terkel fan that this one one of the best fictional emulations of the “oral history” style he’d ever read, regardless of genre. So I figured, what the heck.

World War Z starts out with an introduction from our nameless narrator, written in a dead-on mimic of the Terkel style. In the introduction, written approximately 25 years from now, we learn that this is a collection of remembrances of the Zombie War that broke out “twenty years ago”. Or, in other words, a year or so from “now”. The war, in which most of the population of the earth was converted into zombies by means of an unspecified plague, nearly destroyed humanity. These collected remembrances are about how the world fought back and recovered from the Zombie apocalypse.

As a novel, my only plot complaint is that we never learn what exactly causes “zombieism”. We hear over and over from various surviviors that it’s some sort of virus. Once a person is infected (by being bitten by a zombie), that’s it. Within a few days, you die. A few minutes after death, you “reanimate” as a brainless, dead zombie. Although many people refer to the “virus” that causes the zombie plague, that’s as far as it goes.

In this story, zombies are really, truly walking corpses. They don’t eat, they don’t breathe. They can only be killed by destroying their brains. They crave living flesh – presumably to infect it, since these zombies don’t seem to gain anything by eating people. They also don’t seem to want to eat brains any more than any other part of the body. In this respect, they are much more like the George Romero zombies from Night of the Living Dead, et al, than the brain-craving zombies from Return of the Living Dead, et al.

Wow. I just used the phrases “in this respect” and “et al” in a post about zombies.

What’s surprising about this book is how realistic and moving it is, especially in light of the ridiculous premise. Brooks takes great pains to make this sound like it really, truly is a collection of interviews of survivors from this war. He interviews the doctor in China who witnessed the first outbreak. A soldier who was there in Yonkers, when the military tried in vain to hold back a zombiefied New York. An Australian austronaut, who survived for three years on board the International Space Station as the zombie war played out. The man who was vice president during the war. And so on.

Many of the people in the book are thinly disguised characterizations of real people. There’s a movie director names “Elliot” who is obviously supposed to be Steven Speilberg. The president during the war is clearly Colin Powell, although he is never referred to by name. An unnamed potty comedian on the radio must be Howard Stern. And so on. It’s fun to try to figure out who each figure in the book is supposed to be in real life.

This isn’t they type of novel that grabs you and doesn’t let go; the plot meanders quite a bit. However, that’s to be expected since the book presents itself as a collection of audio interviews, not as a continuos third-person or first-person narrative like a normal novel. It sure does make for a fun read, however, and it’s easy to pick up and put down. I read World War Z over a period of a week, picking it up every now and then to read additional interviews. This would be a great book for a long plane trip, or for situations when you might get interrupted a lot.

World War Z has already been optioned as a movie, and it’ll be interesting to see how Hollywood turns a fictional collection of made-up interviews into a coherent film. I look forward to hundreds of thousands of zombies in Manhattan, zombies strolling across the ocean floor, zombies in the sewers, zombies trapped inside abandoned cars, and zombies unthawing from the snow in the spring. Let’s hope they don’t CGI it to death.

And by the way… if you’re worried that the Zombie Apocalypse might actually occur, well, Brooks has an earlier book called The Zombie Survival Guide that you might want to take a look at.

Peace out, and guard those brains.

Categories
Audio Visual

The Music of Jonathan Coulton

Over the past few days I’ve discovered a great singer/songwriter, Jonathan Coulton. Apparently he’s been an Internet “It” Boy for a while, but somehow he passed right by me. My geek cred is suffering.

Yesterday, I was listening to one of the XM radio comedy stations, when they played his song “RE: Your Brains ”. By the end of the song, I was singing the chorus at the top of my lungs in the car, and wishing that my car stereo came equipped with an audio version of Tivo.

This morning, I found Coulton’s web site, and downloaded “RE: Your Brains”, which is every bit as good as I remembered. So I bought the entire album. And then I bought another album. And then I figured I’d better wait at least a few days to buy some more, or else I’d feel like a fool for not just shelling out the $70 for “everything” on his web site in one download.

Coulton is something I’ve not encountered before: a humorous songwriter who actually has a great voice, and sings more than just humorous songs. For example, on the same album “Thing A Week Two” is the song “Flickr”. This is a beautiful tune that is a sort of stream of consciousness describing photos you’d see on Flickr – but perfectly rhyming and set to a tune that is as radio-friendly as any I’ve heard. On his web site, in the “wiki” section, he has a video for the song that has all the pictures in it that he sings about. This video should play on MTV… except, of course, that they don’t play music videos anymore.

Almost all of his songs have a catchy tune, a bouncy beat, and are fun to sing along with. On his album “Thing a Week Three”“, “Tom Cruise Crazy” and “Code Monkey” are two standouts that should also both become hits. “Code Monkey” will be instantly familiar to anyone who’s ever worked in a cubicle environment with computers, and “Tom Cruise Crazy” is just a damn good song all around.

You really have to listen to these songs to appreciate how incredibly good they are. Every one of them is impeccably written, with rhymes and hooks that are downright giddy. Coulton’s voice is a great folk-rock singing voice, evoking a 21st century combination of John Denver and Bruce Springsteen. I don’t know why he hasn’t had at least several Top 40 hits already. Or perhaps he has, and I am even more behind the times than I think I am.

There’s even a delightful cover of a Beatles song, “I Will”, to be found on “Thing A Week Two”. By the way, I was confused at first about why he has four volumes of “Thing A Week”. Well, as it turns out, when he got started as a full-time performer, he made himself write, record, and make available a new song every week for a year. Hence, “Thing A Week”. An admirable lesson to anyone who’s trying to start their own business, especially in a creative field.

RE: Your Brains” is still my favorite. This is a song from one co-worker to another – except that the guy singing the song is a zombie, and he’s trying to get his office mate to let him eat his brains (as zombies are wont to do):

Heya Tom, it’s Bob from the office down the hall
Good to see you buddy, how’ve you been?
Thing have been OK for me except that I’m a zombie now
I really wish you’d let us in

I think I speak for all of us when I say I understand
Why you folks might hesitate to submit to our demand
But here’s an FYI:
You’re all gonna die screaming

And then that fantastic refrain, in which an entire chorus of singing zombies joins along:

All we want to do is eat your brains
We’re not unreasonable, I mean, no one’s gonna eat your eyes
All we want to do is eat your brains
We’re at an impasse here, maybe we should compromise:
If you open up the doors
We’ll all come inside and eat your brains

I defy anyone not to sing along once you’ve heard this song. In less than 24 hours, this has become one of my favorite Car Songs. Play it loud, pound on the dashboard (traffic permitting), and shout along at the top of your lungs. It will put you in a great mood and really set the rest of your day in perspective, trust me.

So don’t wait for the undead to take control – head on over to Coulton’s web site (we Jonathans have to stick together, right?) and buy a few songs. Buy an entire album or two, they’re worth it. And all of his music is available as non-DRM’d MP3 tracks in high quality, which I heartily support and greatly admire. I already know I’ll be buying the rest of his music over the next few days, I just can’t resist. You can get his stuff on iTunes and Amazon as well, but why not buy them directly from the man who makes them?

Now come on, everybody! Gather ’round and sing along! All we want to do is eat your brains…